History of technique in the arts, 1500-1950
Bibliography
Found 35 results
Author Title Type [ Year] Filters: First Letter Of Last Name is W [Clear All Filters]
“Quellengeschichtliche Untersuchungen zur “Schedula diversarum artium” des Theophilus”, Münchner Jahrbuch der bildenden Kunst, vol. 3e série, t. III-IV.
, “Systematisches verzeichnis der Farbnamen”, Münchner Jahrbuch der Bildenden Kunst, pp. 6-14.
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Der Staffirmaler, oder die Kunst anzustreichen, zu vergolden und zu lackiren, wie solche bey Gebäuden, Meublen, Galanterienwaaren, Kutschen u.s.w. auf die beste, leichteste und einfachste Art anzuwenden ist., First german edition. Leipzig: Verlag Siegfried Lebrecht Crusius, 1774, p. 336.
, Seconde édition revue, corrigée & considérablement augmentée., Second. Grangé, imprimeur-libraire, au Cabinet Littéraire, Pont Notre-Dame, 1774, p. 356.
, Reliquae Antiquae, vol. 2 vol. London: , 1841.
, “Mappae Clavicula : a treatise on the preparation of pigments during the Middle Ages”, Archaeologia, vol. XXXII, 1847.
, “Chrysographie”, Wiener Studien : Zeitschrift für classische Philologie, vol. 12, pp. 259-279, 1889.
, “An Alchemical Manuscript by Arnaldus de Bruxella”, Osiris, vol. 2, pp. 220-405, 1936.
, “Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada”, Osiris, vol. 6, 1939.
, “A Low German-Latin Miscellany of the Early Fourteenth Century”, Niederdeutsche Mitteilungen, vol. 8, pp. 5-22, 1952.
, “Mittelalterliche Rezepte zur Färberei und zur Herstellung von Farbe und Fleckenwasser.”, Niederdeutsches Jahrbuch, vol. 81, pp. 49-58, 1958.
, “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
, “Orpiment und Realgar. Some pigment characteristics”, Maltechnik restauro, vol. 90, pp. 45-47, 1984.
, “Brown and Black organic Glazes, Pigments and Paints”, National Gallery Technical Bulletin, vol. 10, pp. 58-61, 1986.
, “Verzino and Roseta Colours in 15th Century Italian Manuscripts”, Maltechnik restauro, vol. 92.3, pp. 141-155, 1986.
, “Chrozophora tinctoria Juss.: problems in identifying an illumination colorant”, Restaurator, vol. 11, pp. 141-55, 1990.
, “Wie man im Mitellealter Blaupigmente herstellte”, Restauro, vol. 1, pp. 13-17, 1991.
, “Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6.”, Technologiae artis, vol. 3, pp. 134-146, 1993.
, “The History of egg whites varnishes”, Hamilton Kerr Institute Bulletin, vol. 2, pp. 90-140, 1994.
, “The History of egg whites varnishes”, Hamilton Kerr Institute Bulletin, vol. 2, pp. 90-140, 1994.
, “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, 1995.
, “Van Eyck. La lumière et la couleur. La technologie et les techniques picturales à la cour de Bourgogne au XVe siècle”, Université de Paris I –Panthéon-Sorbonne (UFR 03- Histoire de l’Art et Archéologie), thèse de doctorat inédite, 1995.
, “The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use”, National Gallery Technical Bulletin, vol. 17, pp. 56-80, 1996.
, Das Mittelalterliche Hausbuch. Faksimile und Kommentar. München: , 1997.
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