Bibliography

O. Wächter, “De Viridi. Destruktive und unschädliche grüne Kupferpigmente in der Buchmalerei”, Biblos, vol. 30. pp. 270-284, Submitted.

A. Wallert, “Instructions for Manuscripts Illumination in a 15th Century Netherlandisch Technical Treatise”, Acta of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, University of Utrecht, 10-13 December, 1989. pp. 447-456, Submitted.

A. Wallert, “Natural Organic Colorants on Mediaeval Parchment: Anthocyanins.”, ICOM Comitee for Conservation. 10th Triennial Meeting. Preprints., vol. 2. Washington, pp. 516-523, Submitted.

R. Woudhuysen-Keller, Das Farbbüechelin, Codex 431 aus dem Kloster Engelberg, 2 vol. Riggisberg: Abegg-Stiftung, 2012.

B. D. Haage and Wegner, W., Deutsche Fachliteratur der Artes in Mittelalter und früher Neuzeit. Berlin: , 2007.

R. Woudhuysen-Keller, “Das Farbbüchlein, Codex 431 aus dem Kloster Engelberg.”, Diss. Zürich (unpubl.), 2000.

K. P. Withley, The History and Technique of Manuscript gilding. 2000.

G. Wöhrle, “Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle”, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.

G. Wöhrle, “Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle”, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.

C. Graf zu Wa Wolfegg, Das Mittelalterliche Hausbuch. Faksimile und Kommentar. München: , 1997.

C. Graf zu Wa Wolfegg, Das Mittelalterliche Hausbuch. Faksimile und Kommentar. München: , 1997.

J. Kirby and White, R., “The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use”, National Gallery Technical Bulletin, vol. 17, pp. 56-80, 1996.

A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.

W. Askew Whitney, “Van Eyck. La lumière et la couleur. La technologie et les techniques picturales à la cour de Bourgogne au XVe siècle”, Université de Paris I –Panthéon-Sorbonne (UFR 03- Histoire de l’Art et Archéologie), thèse de doctorat inédite, 1995.

R. Woudhuysen-Keller and Woudhuysen, P., “The History of egg whites varnishes”, Hamilton Kerr Institute Bulletin, vol. 2, pp. 90-140, 1994.

R. Woudhuysen-Keller and Woudhuysen, P., “The History of egg whites varnishes”, Hamilton Kerr Institute Bulletin, vol. 2, pp. 90-140, 1994.

A. Wallert, “Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6.”, Technologiae artis, vol. 3, pp. 134-146, 1993.

A. Wallert, “Wie man im Mitellealter Blaupigmente herstellte”, Restauro, vol. 1, pp. 13-17, 1991.

A. Wallert, “Chrozophora tinctoria Juss.: problems in identifying an illumination colorant”, Restaurator, vol. 11, pp. 141-55, 1990.

R. White, “Brown and Black organic Glazes, Pigments and Paints”, National Gallery Technical Bulletin, vol. 10, pp. 58-61, 1986.

A. Wallert, “Verzino and Roseta Colours in 15th Century Italian Manuscripts”, Maltechnik restauro, vol. 92.3, pp. 141-155, 1986.

A. Wallert, “Orpiment und Realgar. Some pigment characteristics”, Maltechnik restauro, vol. 90, pp. 45-47, 1984.

R. - R. H. and Werner, A. E. A., “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.

H. Wiswe, “Mittelalterliche Rezepte zur Färberei und zur Herstellung von Farbe und Fleckenwasser.”, Niederdeutsches Jahrbuch, vol. 81, pp. 49-58, 1958.

W. L. Wardale, “A Low German-Latin Miscellany of the Early Fourteenth Century”, Niederdeutsche Mitteilungen, vol. 8, pp. 5-22, 1952.