I N D E X.
A.
A
LABASTER, how to be ftained of
various colours, 447
ANTIMONY, as a white colour for enamel, 251• as a yellow colour for enamel, 267 \*—glafs of, how uied in enamel painting, 168
APPAR ATUS for making colours, 12 :—for enamel painting, 233 :—for gilding, 370
ARABIC GUM, ■ 154
ARCHAL, oroRCHAt, , 113
ARGENTUM MUSIVIUM, how prepared, 402
ARSENIC, how ufed in enamel, 252.
ASHES ULTRAMARINE, 74
ASPHALTUM, 120
AURUM MOSAICUM, what, 386:—how prepared, 387
B.
BALNEUM MARIA, 27
BELLOWS for burning enamel in an open hearth,
240
BICE, 89
Gg z BIDDERS,-
BINDERS in the formation of crayons» what» 188
BISTRE, 117
BLACK, LAMP, 129 ivory, 129 :—blue, 131
BLUE colours, 67 :—Prujfian, 77 de cendres»or
Sanders blue, . 85
BODY in colours, what, 5 :-*-in the composition of
-C L U. C J jg^
24
441
245
283
4
269
4
crayons, of what to be formed,
BOILER for making colours,
BONE, how to be ftained of various colours,
BORAX, as an enamel flux,
BOWLES white glafs, as an enamel ground*
BREAKING colours, what,
BRICKS, as a colour in enamel,
BRIGHTNESS of colours, what,
BRONZING, what, and how to be performed, 104 BROWN colours, 114:—pinky 114:—oker, 218
BURNING enamel, or glafs, what, 232 :—enamel grounds, particular manner of, 302 :—enamel paintings, 308 :—paintings on glafs, 308
BURNISHING, how performed in gilding, 383
CALCINATION, what, and how performed, 33 CALCINED ANTIMONY, 251 bartjborn, 255:-— coppery 259:—iron, z^^:~fther, 259:—tin, 248 CALKING, what, 333 how performed, 242 CAMERA OBSCURA, its die in drawing, 339
CARMINE, 54
CASTS from large fubje&s, 349 :—from fmall animals or vegetables, 356 from medals or other fmall fubje&s, 259
CERUSE or white lead, 123
CHRYSTALS ofverdigrife (commonly called diftilled verdigrife,) 105
CINNABAR native, 46 :—how counterfeited by the fa&itious, ^ 46
CLASSES
CLASSES of the colours, 8
CLE ANING pictures, 218
CLEAR COATING, (vulgarly called clear coaling,) what, 203
CLOTHS for oil painting, what, 200:—how belt prepared, 202
COFFINS for burning enamel and painted glafs, 243 COLOURING maps, prints, &c. 227
COLOURS, what, 1:—kinds of 3 :—black, 120 *
blue, 67 :—brown, 114:—green, 104:—;orange, in :—purple, 112 :—white, 121 :—-yellow, 90 :—composition with the proper vehicles, 162 :—proper to be uied with oils, 262 :—proper to be uled with water or in miniature painting, 166proper to be uied with fize or in frefco painting, 174:—proper to be ufed in var- niih, 176:—for enamel, of what formed, 252:—
—black, 300 : blue, 288 —brown,
299 :— —green, 294 : orange, 296 :—
—red, 284 : purple, 298 :— —white,
279—yellow, 291:—for painting on glafi
by burning, 313 : without burning, 325
COOLNESS in colours, what, 7
COPPER, its u‘fe and preparation for forming colours in enamel, 260powder of, 403:—calcined, 259
COVERING, as a quality in colours, what, 5 CRAYONS, general nature of, 181:—white, 190:— red, 191:—blue, 195:—green, 197:—orange, 198 purple, 198 brown, 199 black and grey, 200
CROCUS MARTIS, or calcined iron, 265
CRUCIBLES for enamel, 243
CULLENDERS for filtering, 27
CUSHION for gilding, what, 370
Og3
DESIGNS,
D.
DESICNS, how to be more ealily made, 331
DEVICES ufed in drawing, 331
DRVERS, what, 135:—particular kinds of, 147
PRVING OIL, what, and how prepared, 147 DUTCH gold, 369 -.—pink, 94
E.
EGG-SHELL white, 128
ENAMEL painting., general nature of, 228
grounds, of what formed, 248 : compqfition
and preparation of, 279 : how burnt, 302
colours, of what formed-, 230—-black, 300
— blue, 288 : brown, 299: green, 294:
■ red, 284 :— —purple, 298 :— —white,
2 79 —yellow, 291 : how laid, and
burnt, 30V —-inftruments of, 233
-ENGLISH PINK, 95
EVAPORATION, 38
EXTRACT of liquorice, X2i
F.
FAT OIL, what, 143 :>—how prepared, 372
FATTNING of colours, what, 6: how produced,
1.4:—of oils, what, 142
FILTRATION, how to be performed, 36
FILTERS, 27
FIRE LUTE, 14
FLAKE WHITE, 121
FLINTS, as a body for enamel, 247
FLUXES in enamel painting, what, 228 :—fub-
ftances ufed in compounding, 245 :—particular Compofuion of, 275 :-r-for painting on glafs, 313
FLYING
FLYING of colours, what, 4
FOULNESS of colours, what, 4
FRESCO^«/»//»»’, what, 137
FURNACES for making colours, 13:—for calcining Pruflian blue, 22 :—for enamelling, 234 :—for fubliming kings yellow, 20 for vermilion, 15
G.
GALL STONES, 99
GAMBOGE, 96
GILDING in general, 367:—kinds of, 368:—in oil, 372 -with burnifht work, 377:—japan- ners, 384enamel or glafs by burning, 310 —without burning, 399 :—paper, vellum, and
parchment, 300:—leather, 398
GLAIR of eggs, as a varnifh for pi&ures, 210
GLASS, as a ground for painting with vitreous colours, or by burning, 302:—how painted with vitreous colours, and burnt, 318 how gilt by burning, 320:—how gilt without burning, 399:
•—of antimony, as an enamel colour, 268 :—of lead, as an enamel flux, 274:—Venetian, as a flux, 277 :—common or Bowles's white!., as an enamel ground, 283
GLAZING with colours, what, 5
GOLD, its ule in enamel, 254:—purple or precipitate of, 255:—leaf, 368 : Dutch, 368
powder proper for gilding glafs or enamel, 322: — —proper for japanners gilding, 384 Jbeil,
what, 390; how prepared, 391:—fize for
japanners gilding, 384—for burnifh gilding. 37s
GREEN colours, 104:—Prujfian, 168:—fap, 107 GROUNDS for oil painting, 201for water colours, 205:—for frefco painting, 207:—for G g 4 enamel*
enamel, of what formed, 248 :— —compofition and preparation of, 279 —how laid on and
burnt, 302:—for japan work, 410
GUM Arabic., 154 \-~ftnegal, 155 x—fonderac, 160: —majiic, *. j6o
GUM WATER, how prepared, 168
H.
HARDNESS of enamel, and fluxes, what, 129 HARTSHORN calcined or burnt, J25
HORN, how to be ftained of various colours, 441
J.
JAPANNING, general nature of, 406
JAPAN work, grounds for,.410:— —black, 419.
- —-—blue, 416: green, 418: orange,
418 : purple, 418 —tortoife fheii,
. 420 : -yellow, 417: —how painted, 421
how vamifhed, 423 -how gilded, 428 :—how polifhed, 4?6
IMPR ESSIONS, how to be taken from various fub- jefts, 361
INDIAN INK, 132
INDIAN RED, true, 112:—common or fictitious, 50
INSTRUMENTS for making colours, 12:—for enamelling, 233 :—for gilding, 370
IRON, its ufe in and preparation for forming colours in enamel, 263 how to be call with a fmall heat, 360
ISINGLASS, I56 x—fize, how prepared, 168
JUICE, SPANISH, 12 I
IVORY BLACK, 129
IVORY, how to be ftained of various colours, 441
KINGS
K.
KINGS YKLLOW,
99
LAC feed, 158 '.—Jbeil, j£9
LACMUS or LITMUS, 89
LAKE, common, 55 '.—beautiful, prepared from Brafd wood, 60 :—Cbinefe or Indian, 64 i—rofe orrofepink, 64 :—orange, m
LAMP BLACK, 129
LACQUERING, what, and how performed, 428
LACQUER for imitating gold, 430 :—for tin, 432 : —for defending brais work, 432
LAVENDER, oil of, as a fecondary vehicle in enamel painting, 146
LEAD, red, 49 :—white, 123 :—fugar of, 152
LEAF GOLD, qualities and kinds of, 368
LEATHER, how gilded, 398
LEAVES, impreflions of, 364:—bow to be pie* ferved for a long time, » 364
LEVIGATION, how to be performed, 40
LIGHT PINK, 85
LINSEED OIL 144
LIQUORICE, extrait of, or Spanilh juice, 121
LITMUS or LACMUS, 89
LOGWOOD wajh, 113
LUTE, called fire lute, 14 '.—common, 32
M.
MAPS, how to be walhed with colours, 227
MAGNESIA, its nature and ufe in enamel, 240 MARBLE, how to be ftained of Various colours,
447
MASTIC,
MASTIC, 160
MASTICOT, 97
MATHEMATICAL compares, or parallelogram., 347
MATTING, what, 381 :—how performed, 382
MEDALS, caffs of, how to be taken, 359 : impreffi-
ons of, how to be made, 361
MELTING pots for enamel, 240
MENDING pictures, 216
MERCURY, its ufe in an enamel colour, 268
METZOTINTO PRINTS, how taken off on glafs and
painted, 325
MINIATURE PAINTING, what, 137
MINIUM, 47 :—as an enamel flux, 245
MOILON, as a body for enamel, 247
MUFFLES for burning enamel, or painted glafs,
- 241
» N,
NAPLES YELLOW, 9*
NATIVE CINNABAR, 46
NUT OIL, O. 145
OFF-TRACING, what, 332 :—how performed, 340 OIL, general nature of as a vehicle in painting, 139:—particular kinds of, 141.:—dryings 147: -—of lavender, 146 :—linfeed, 144:—nut, 145:—
poppy, 146
OKER, brown, 118 :—red, 66 :—-fcarlet, 47 :—-yellow, 93
OPACITY of colours, what, 5
OPERATIONS fubfervient to the preparing co- . lours, 29
ORANGE colours, m:—lake, m
ORCHAL, or ARCHAL, 113
\Z ORPIMENT,
ORPIMENT, common, 98 :—refined, or king« yellow* 90 its ufe as an enamel colour,. 269
‘i
PAINTING in oil, what, neceffàry to it, 125:— —how performed, 162 2—in miniature, or with
water colours, what, 137 : how performed,
166:—/» frefco, or with Jize, what, 137:— —how performed, 172 :—in varnifh, what 138 :— —how performed, 176 :—on glafs with vitreous colours, 309 :— —with oil colours, 325
PALLET for gilding,.what, 372
PAPER, as a ground for water colours, 209 :—now gilt, 300 :—how ftained of various colours, 448 PASTILS or CRAYONS. 18 c
PARCHMENT, how gilt, 300:—how ftained, 148 PARALLELOGRAM, or MATHEMATICAL COMPASSES, what, and how ufed in drawing, 347 PEARL WHITE, 127
PICTURES, how to be preferved, 208 how to be mended, 2 » 6 :—how cleaned, 218
PIGMENTS, what, 3
PINK, brown, 114 :—Butch, 94 :—Englijh, 85 2— light, 85 :—rofe, or rofe lake, 64
POLISH for gilding, 388:—for japan work, 4262- water, 207
POPPY OIL, 146
PRECIPITATE of gold (called purple of gold,) 255 2 —of gold in its metalline form, 322 :—of copper, 262 —in its metalline form, 404 :—of
iron, 266
PRECIPITATION, what, 25
PRESERVING pictures or other paintings, 208 PRIMING cloths for painting, 203 :—pap& for wa- . ter colours, 205 2—wood for oil painting, 203 : r — —lor
— —For vamifli paintings, 208:—copper plates for oil punting, 204:——for varnifh painting, 208
PRINTS, how taken off* upon glafs, and punted, 325:—how to be wafhed with colours, 227
PRUSSIAN blue, 77 :—-green, 108
PURPLE colours, 112:—of gold, what, and how prepared, 255
PUTTY, or calcined tin, how prepared for ufing as a white colour in enamel painting, 248
R.
RED colours, 42:—lead, 47:—oker, 66
REDUCTION in defigning, what, 333:—how performed, 344
RESIN, 161
RETORTS, 2 6
ROSE PINK, 64
S.
SAFFRON, tin&ure of, 103
SALT, fixt alcaline, as an enamel flux, 245 :—
common, as an enamel flux, 246
SAND, as a body for enamel, 246
SANDERAC, 160
SANDERS BLUE, or blue de cendres, 85
SAP GREEN, 107
SCARLET OKER, 47
SEED LAC, 158
SECONDARY vehicle in enamel painting, what, 230
SENEGAL GUM, 155
SHELL LAC, 159:——-varnilh, 177
SHELL GOLD, 391
SILVER, its ufe in forming, and preparation for
colours
colours in enamel, 259 powders, how prepared, 402
SILVERING, how performed, 402
SINKING of the colours, what, 202
SIZE common., 156:—of glovers cuttings, 156: —-parchment, 378 :—ifinglafs, 168 :—rgold for . japanners, 384: for bumiih gilding, 378 2
— -—for fiivering, 403
SMALT, 18 :—its uie in enamel, 254
SOLUTION, what, 35
SOFTNESS of enamel and fluxes, what, ia8
SPANISH brown, 52:—liquorice, 121:—white, 127 SPIKE, oil of, 140
SPIRIT (or oil) of turpentine, 151 :—of wine, as
a vehicle for colours, 138: how redlified to
any degree extemporaneoufly, 425
STAINING wood black, 440:— —blue, 436:
— —green, 439: -mahogony colour, 437:
red, 435: -purple, : yellow,
434:—bone, ivory, or horn black, 444:—
—blue, 443: -green, 442: red, 442:
purple, 443 : tortoife fhell, 443
paper or parchment bide, 446—green, 446:
red, 445: orange, 446: purple,
447: yellow, 445: alabafter, marble,
ana other ftones, of various colours, . 447
STANDING of colours, what, 4
STARCH, how ufed for rendering water a vehicle,
*59
STONES, how to be ftained of various colours, 447 SUBLIMATION, 30
SUISAR, and fugar candy, how ufed for rendering water a vehicle for colours, 156:—of lead, as a dryer, 152
TARTAR,
. T.
TARTAR, its ufe in forming enamel colours, 370
TERRA VERTE, no
TERRA DE SIENNA burnt, 53:—unbumt, 100
TIN, how calcined for enamel, 248
TRANSPARENCY of colours, what, 5
TROY WHITE, 117:
TURMERIC wajh, 103
TURPENTINE, 160:—oilorfpirit of, 151
TURPETH MINERAL, 100
U.
VARNISH, feed lac common, 444:——finer, 424:
coarfe, 412 :—Jhell lac, *177—Maf-
tic, 179:—compound for painting, 179:—of gum Arabic for preferving pi&ures, 209:— compound for preferving paintings, 211:— — Ampler kind of, 212:—compound in oil of turpentine for preferving paintings, 213 —
Ampler kind or, 214
VARNISHING pi&ures, 208
VEHICLES, what, 2 :—general nature of, 134: —fecondary in enamel painting, what, 230 VELLUM, as a ground for painting. 206how to be gilt, 300
VENETIAN RED, $
VERDIGRISE, 105 :—diJliUed or cbryftals ofy 105 VERDITER,
VERMILION, 42
UMBRE, 119
VITRIOL green, how calcined, 14 and 49 :—how precipitated, 266:—white, 153
ULTRAMARINE, 67:—afhes, 74:—as a colour for enamel, 252
UNDERWORK
UNDERWORK in calling, what, and how to be managed, 354
UTENSILS for making colours, 12for enamel painting, 233 :—for gilding, 370
W.
WARMTH in colours, what, 7
WASH from French berries, 102from turmeric, 103:—from logwood, 113
WASHING with colours, what, 5:—over, what» and how to be performed, 40:—maps, prints, fcfr. 227
WATER colours, what, 166:—as a vehicle, 136: —gum, how prepared, 168 :—how rendered a proper vehicle for colours, 136
WHITE colours, 121 '.—flake, 121:—lead, 133 s —pearl, 127:—enamel, 248:—Spanijb or Troy* 127:—egg-jhell, 128:—vitriol, 153
WOOD, how to be llained of various colours, 434
Y.
YELLOW colours, 90:—King’s, 90:—Naples, 91: —oker, 93:—wajh from the French berries,
102 : from turmeric, 103 : from faf-
fron, 109
Z.
ZAFFER, its nature and ufe in enamel, 253
FINIS.
BOOKS JffitiB PF J. NOCRSB at the Lamb op^
fofite Katherine-Street in the Strand.
T
HE ELABORATORY LAID OPEN : or, The Secrets of Mo*
dern Chemiftry and Pharmacy revealed: Containing
many particulars extremely necefihry to be known to aU
Praditioners in Medicine. Odavo, 1758.
BOERHAAVE’S MEDICAL CORRESPONDENCE: Containing the various Symptoms of Chronical Diftempers, the Profeflor’s Opinion, Method of Cure, and Remedies. To which is added, his Practice in the Hofpital of Leyden, with his Manner of intruding his Pnpils in the Cure of Difeafes. Odavo, 174^
In this Colledion are contained many Letters, wrote ori- «nally in Engliih to the Dodor, by Perfons of Diftindion, Gentlemen and Ladies, lie. with his Anfwers; fuch are marked the reft are tranflated from the Latin. ACADEMICAL LECTURES ON FEVERS : In which the eflential Symptoms and Nature of the various Kinds of Fevers are defcribed, the immediate Caufes pointed out, with the general and particular Indications in the Method of Cure fub- joined to each. Confirmed by the Author’s fuccefsful Practice of forty Years; read in the Royal College at Paris. By M. J.Aftruc, M. D. Odavo, 1747.
AN ESSAY ON COMPARATIVE ANATOMY : or, A Summary View of the moft material Differences in the Strudure of Animals; in which the Defcriptions are all taken from real Difledions, and transferred by Analogy to the Human Body, intermixed with many pra&ical Obfervations in Medicine and Surgery. Odavo, 1744.
THE NEW DISPENSATORY : Containing, 1. The Theory and Pradice of Pharmacy. 2. A Distribution of Medicinal Simples, according to their Virtues and fenfible Qualities ; the Defcription, Ufe, and Dofe of each Article. 3. A full Tranflation pf the London and Edinburgh Pharmacopoeias ; with the Ufe, Dofe, lie. of the feveral Medicines. 4. Directions for Extemporaneous Prefcriptions; with a feled Number of elegant Forms. 5. A Colledion of cheap Remedies for the Ufe of the Poor. The whole interfperfed with pradical Cautions and Obfervations, intended as a ' Corredion and Improvement of Quincy. Odavo, 1753.
A SHORT ACCOUNT OF MORTIFICATIONS, and of the fur- prizing Effeds of the Bark, in putting a Stop to their Pro- grefs, &c. by John Douglas, Surgeon, F. R. S. Octavo. THE DISPENSATORY OF THE ROYAL COLLEGE OF PHYSICIANS, LONDON. Tranflated into Engliih, with Remarks, l£c. by H. Pemberton, M. D^ ProFeflor of Phyfick in Greiham College, and F. R. S. Odavo, 1749# The fc- cond Edition.
if