Bibliography

Found 602 results
Author [ Title(Asc)] Type Year
Filters: Filter is   [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
A
C. Rötter, Auripigment. Genauere Betrachtung eines historischen Farbmittels, Restauro, vol. 109.6, pp. 408-413, 2003.
A. C. Crombie, Augustine to galileo. T. 2, Science in the later middle ages and early modern times 13th to 17 th centuries. 1969.
, Atramentum, RE, vol. II, 2, pp. col. 2135-2136, 1896.
M. Clarke, Asymptotically approaching the past: historiography and critical use of sources in art technological, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, Art Technology. Sources and Methods. Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), Art of the Past: Sources and Reconstructions. Submitted.
C. E. Power, The Art of Limming. 1932.
F. Brunello, The Art of Dyeing in the history of manking. Venice: , 1973.
F. Brunello, The Art of Dyeing in the History of Mankind. Venice: , 1973.
M. Clarke, The Art of all Colours. Medieval Recipe Books for Painters and Illuminators. London: , 2001.
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
, Artists Pigments : a Handbook of their History and Characteristics, vol. 3. Washington: , 1997.
A. (ed.) Roy, Artist’s Pigments. A Handbook of their History and Characteristics, vol. 3 vol. New York-Oxford: , 1993.
R. L. Feller, Artist’s Pigments. A Handbook of their History and Characteristics. Cambridge: , 1986.
R. Mayer, The artist’s handbook of materials and techniques. New-York: , 1970.
R. D. Harley, Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
X. (Dir.) Barral y Altet, Artistes, artisans et production artistique au Moyen-Age., Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
J. Ayres, The artist crafts. A History of tools, techniques and materials. Oxford: , 1985.
R. H. Runge, Artikel Farbe, Farbmittel der abandländischen ma. Buchmalerei, in Reallexikon zur deutschen Kunst, vol. 6, 1973.
D. V. Thompson, Artificial Vermilion in the Middle Ages, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
, Arsenicum, RE, vol. II, 1, pp. col. 1271-1272, 1895.
M. Kowalczyk, Ars de omnibus coloribus, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
G. Wöhrle, Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.
M. Berthelot, Archéologie et histoire des sciences avec publication nouvelle du papyrus grec chimique de Leyde et impression originale du Liber de Septuaginta de Geber. Paris: , 1906.
W. Eamon, Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century, History of science, vol. no. 56; 22, pp. 111-150.