Bibliography

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G
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
A. - F. Cannella, Gemmes, verre coloré, fausses pierres précieuses au Moyen Age, Le quatrième livre du "Trésorier de Philosophie naturelle des pierres précieuses" de Jean d´Otutremeuse. Liège: Diffusion Libraire DROZ S.A., 2006.
F
S. - C. Arteni, “From handcraft to mass production : notes on the manufacture of oil painting materials”, ICOM 7th triennal meeting, Copenhagen, 10-14 septembre, 1984. Submitted.
L. Campbell, The Fifteenth Century Netherlandish Schools. London: , 1998, pp. 18-35.
J. R. Clemens, “Fifteenth century English recipes for the making of pigments”, Art and Archaeology, vol. 34, pp. 206-210, 1933.
G. Mardersteig and Boothroyd, R. H., Felice Feliciano, Veronese : Alphabetum Romanum. Verona: , 1960.
A. P. Torresi, A far littere de oro. Ferrara: , 1992.
H. Roosen-Runge, “Farbgebung und Technik frühmittelalterlicher Buchmalerei.Studien zu der Traktaten Mappae Clavicula und Heraclius”, Kunstwissenschaftliche Studien, vol. XXXVIII, 1967.
R. Hofmann, “Färbepflanzen und Färbedrogen.”, Restauratorenblätter, vol. 13, pp. 39-63, 1992.
L. Roth, Kormann, K., and Schweppe, H., Färbepflanzen- Pflanzenfarben. Botanik-Färbemethoden-Analytik. Türkische Teppiche und ihre Motive. Landsberg/Lech: , 1992.
Ret al. Fuchs, “Farbenherstellung”, in Europäische Technik im Mittelalter, 800-1200.Hrsg. von Uta Lindgren, Berlin: , 1996, pp. 435-450.
R. Fuchs and Oltrogge, D., “Farbenherstellung”, in Europäische Technik im Mittelalter, 800-1200.Hrsg. von Uta Lindgren, Berlin: , 1996, pp. 435-450.
H. Kuhn, “Farbe, Farbmittel : Pigmente und Bindenmittel in der Malerei”, in Reallexicon zur deutschen Kunstgeschichte, vol. Bd. VII, München: .
H. James, Facsimiles of National Mss from William the Conqueror to Queen Anne, PartI, No. LVII. Southampton: , 1865.
N. R. Ker, “Facsimile of British Museum Ms. Harley 2253”, Early English Text Society Original Series 255, 1965.
E
G. Stephens, “Extracts in Prose and Verse from an Old English Medical Manuscript, preserved in the Royal Library at Stockholm”, Archaeologia, vol. XXX, 1844.
R. Scheller and Hoyle, M., Exemplum : ModelBook drawings and the practice of artistic transmission in the Middle Ages (ca 900- 1470). Amsterdam: , 1995.
U. Lindgren, Europaïsche Technik im Mittelalter 800 bis 1400. Tradition und Innovation. Berlin: , Submitted.
J. Andre, Etudes sur les termes de couleurs dans la langue latine. Paris: , 1949.
B. Guineau and Vezin, J., “Etude de recettes et d'indications de couleurs relevées sur un manuscrit d'Adémar de Chabannes (Leiden, Voss. lat. O 15) : l'exemple de la couleur gladius”, Scriptorium, vol. LX, n° 1, pp. p. 80-95, 2006.
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
A. Blanc, Essai sur divers arts : en trois livres. Paris: , 1980.
H. Kuhn, Erhaltung und Pflege von Kunstwerken. München: , 2001.