Bibliography

Found 602 results
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Journal Article
B. Bischoff, “Ein Mosaikrezept. Neuntes Jahrhundert.”, Anecdota Novissima. Texte des 4. bis 16. Jahrhunderts.Quellen und Untersuchungen zur lateinischen Philologie des Mittelalters, vol. 7, pp. 219-223, 1984.
W. Ganzenmüller, “Ein unbekanntes Bruchstück der Mappae Clavicula aus dem Anfang des 9. Jhs.”, Mitt. Gesch. Med. Naturwiss. Technik, vol. 40, 1, pp. 336-349 (Reprint).
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.
B. Guineau and Vezin, J., “Etude de recettes et d'indications de couleurs relevées sur un manuscrit d'Adémar de Chabannes (Leiden, Voss. lat. O 15) : l'exemple de la couleur gladius”, Scriptorium, vol. LX, n° 1, pp. p. 80-95, 2006.
G. Stephens, “Extracts in Prose and Verse from an Old English Medical Manuscript, preserved in the Royal Library at Stockholm”, Archaeologia, vol. XXX, 1844.
N. R. Ker, “Facsimile of British Museum Ms. Harley 2253”, Early English Text Society Original Series 255, 1965.
R. Hofmann, “Färbepflanzen und Färbedrogen.”, Restauratorenblätter, vol. 13, pp. 39-63, 1992.
H. Roosen-Runge, “Farbgebung und Technik frühmittelalterlicher Buchmalerei.Studien zu der Traktaten Mappae Clavicula und Heraclius”, Kunstwissenschaftliche Studien, vol. XXXVIII, 1967.
J. R. Clemens, “Fifteenth century English recipes for the making of pigments”, Art and Archaeology, vol. 34, pp. 206-210, 1933.
G. Rahn-Koltermann, Glemser, O., Oltrogge, D., and Fuchs, R., “Grünspan. Ein bedeutsames Pigment für das Scriptorium des Mittelalters”, Naturwissenschaftliche Rundschau, vol. 46, pp. 222-227, 1993.
H. Kuhn, “Grünspan und seine Verwendung in der Malerei”, Farbe und Lack, vol. 70, pp. 703-711, 1964.
W. F. Brinckman, Kockaert, L., Maes, L., Masschelein-Kleiner, L., Robaszynski, F., and Thielen, E., “Het Lam Godretabel van Van Eyck, een heronderzoek naar de materialen en schildermethoden, 1. De plamuur, de isolatielaag, de tekening en de grondtonen”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XX, pp. 137-166.
R. Woudhuysen-Keller and Woudhuysen, P., “The History of egg whites varnishes”, Hamilton Kerr Institute Bulletin, vol. 2, pp. 90-140, 1994.
A. Novák, “"Hi sunt omnes colores". Text from the 12th century from the Library of St Peter's Monastery in Salzburg.”, Technologia artis, vol. 4, pp. 77-79, 1996.
F. Brunello, “I Colori del trattato « Compositiones ad tingenda » del secolo VIII,”, Pitture e vernici, pp. 461-468, 1974.
L. Bussotti, Carboncini, M. P., Castellucci, E., Giuntini, L., and Mando, A., “Identification of pigments in a fourteenth-century miniature by combined micro-raman and PIXE spectroscopic techniques”, Studies in Conservation, vol. 42, pp. 83-92, 1997.
A. P. Laurie, “The identification of pigments used in painting at different periods, with a brief account of other methods of examining pictures”, Analyst, pp. 162-179, 1930.
J. Kirby and White, R., “The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use”, National Gallery Technical Bulletin, vol. 17, pp. 56-80, 1996.
, “Il ms 25 della Newberry Library: la tradizione dei ricettari e trattati sui colori nel Medioevo e Rinascimento veneto e toscano”, La Bibliofilia, vol. LXXXVII(1), pp. 1-38, 1985.
, “Il ms 25 della Newberry Library: la tradizione dei ricettari e trattati sui colori nel Medioevo e Rinascimento veneto e toscano”, La Bibliofilia, vol. LXXXVII(1), pp. 1-38, 1985.
F. Toliani, “Incipit scripta colorum, un trattato contenuto nel ms. 1075 della Biblioteca Statale di Lucca”, Critica d’Arte, vol. LVIII (3), pp. 47-56, 1995.
R. D. Harley, “The interpretation of colour names”, Burlington Magazine, vol. CX, pp. 460-461, 1968.
J. A. Van Der Graaf, “The interpretation of old painting recipes”, Burlington Magazine, vol. 104, pp. 471-475, 1962.
C. Krekel, Burmester, A., and Haller, U., “Kurzmitteilungen aus dem Münchner Taxenprojekt: Vitriol”, Restauro, vol. 111, 6, 2005.
P. Cézard, “L’alchimie et les recettes techniques”, Métaux et civilisations, vol. 1, pp. 5-10, 1945.