Bibliography

Found 602 results
Author Title [ Type(Desc)] Year
Filters: Filter is   [Clear All Filters]
Journal Article
J. R. Gettens and Fitzhugh, E. W., “Malachite and green verditer”, Studies in Conservation, vol. vol. 19, n°1, pp. 2-23, 1974.
R. Parker Johnson, “The Manuscripts of the Schedula of Theophilus Presbyter.”, Speculum, vol. 13, pp. 86-103, 1938.
R. Parker Johnson, “The Manuscripts of the Schedula of Theophilus Presbyter.”, vol. 13, pp. 86-103, 1938.
C. Stanley Smith and Hawthorne, J. G., “Mappae Clavicula, a little Key to the World of Medieval Technique”, Transactions of the American Philosophical Society, vol. N.s.64, pt.4, 1974.
M. A. Way, “Mappae Clavicula : a treatise on the preparation of pigments during the Middle Ages”, Archaeologia, vol. XXXII, 1847.
T. Philipps, “Mappae Clavicula; a Treatise on the Preparation of Pigments During the Middle Ages.”, Archaeologia, vol. 32, pp. 183-244, 1847.
J. Plesters and Roy, A., “The materials and technique”, National Gallery Technical Bulletin, vol. X, 1985.
E. Berger, “The Mayerne Manuscript,( Sloane 2052, BM, London),”, Beiträge zur Entwickelungs- Geschichte der Maltechnik, vol. vol. 4, pp. 92-365, 1901.
M. Levey, “Mediaeval Arabic Bookmaking an dits relation to early chemistry and pharmacology”, Transaction of the American Philosophical Society, vol. 52, 4, 1962.
M. F. Edgerton, Jr., “A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin”, Mediaeval Studies, vol. 25, pp. 173-208, 1963.
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
S. - M. Alexander, “Medieval recipes describing the use of metals in manuscripts”, Marsyas, vol. 12, pp. 34-51.
L. Campbell, “Methods and materials of Nothern European painting in the National Gallery, 1400-1550”, National Gallery. Technical Bulletin. Early Nothern European Painting, vol. XVIII, pp. 6-55, 1997.
D. W. Singer, “Michael Scot and Alchemy”, Isis, vol. XIII, pp. 5-15, 1929.
D. W. Singer, “Michael Scot and Alchemy”, vol. XIII, pp. 5-15, 1929.
W. L. Braekman, “Middelnederlandse Verfrecepten voor miniaturen en « alderhande substancien »”, Mediaeval and Renaissance Texts and Studies, vol. n°18, 1986.
T. B. Soldano, “Miniatura e Vetrate Senesi del Secolo XIII.”, Collana Storica di Fonti e Studi, vol. 25, 1978.
F. Flieder, “Mise au point des techniques d’identification des pigments et des liants inclus dans la couche picturale des enluminures des manuscrits”, Studies in Conservation, vol. 13, n°2, pp. 49-86, 1968.
H. Wiswe, “Mittelalterliche Rezepte zur Färberei und zur Herstellung von Farbe und Fleckenwasser.”, Niederdeutsches Jahrbuch, vol. 81, pp. 49-58, 1958.
D. Varney Thompson, jr., “More Medieval Color-Making: Tractatus de coloribus from Munich, Staatsbibliothek, Ms.Latin 444.”, Isis, vol. 68, pp. 382-396, 1936.
H. Ekkehard, “Musivgold. Rekonstruktion eines historischen pigments”, Restauro, vol. 6, pp. 420-425, 2005.
R. Fuchs, “Nolite manuscripta cruciare sed conservate potis”, Maltechnik Restauro, vol. 12, 1987.
H. J. Leloux, “Nordoostmiddelnederlands in Keulen. Een Keuls manuskript met laatmiddeleeuwse recepten voor verf en inkt voor het schrijven en verluchten van boeken.”, Driemaadelijkse bladen voor taal en volksleven in het oosten van de Nederland., vol. 29, pp. 11-31, 1977.
R. Parker Johnson, “Notes on Some Manuscripts of the Mappae Clavicula”, Speculum, vol. 10, pp. 72-81, 1935.