Bibliography

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M. Hardie, English coloured books. London: , 1906.
R. Halleaux, “Entre technologie et alchimie. Couleurs, colles et vernis dans les anciens manuscrits de recettes”, Technologie industrielle. Conservation, restauration du patrimoine culturel, colloque AFTPV-SFIIC, Nice, 19-22 septembre 1989. Paris, pp. 7-11, Submitted.
H. Kuhn, Erhaltung und Pflege von Kunstwerken. München: , 2001.
A. Blanc, Essai sur divers arts : en trois livres. Paris: , 1980.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.
B. Guineau and Vezin, J., “Etude de recettes et d'indications de couleurs relevées sur un manuscrit d'Adémar de Chabannes (Leiden, Voss. lat. O 15) : l'exemple de la couleur gladius”, Scriptorium, vol. LX, n° 1, pp. p. 80-95, 2006.
J. Andre, Etudes sur les termes de couleurs dans la langue latine. Paris: , 1949.
U. Lindgren, Europaïsche Technik im Mittelalter 800 bis 1400. Tradition und Innovation. Berlin: , Submitted.
R. Scheller and Hoyle, M., Exemplum : ModelBook drawings and the practice of artistic transmission in the Middle Ages (ca 900- 1470). Amsterdam: , 1995.
G. Stephens, “Extracts in Prose and Verse from an Old English Medical Manuscript, preserved in the Royal Library at Stockholm”, Archaeologia, vol. XXX, 1844.
F
N. R. Ker, “Facsimile of British Museum Ms. Harley 2253”, Early English Text Society Original Series 255, 1965.
H. James, Facsimiles of National Mss from William the Conqueror to Queen Anne, PartI, No. LVII. Southampton: , 1865.
H. Kuhn, “Farbe, Farbmittel : Pigmente und Bindenmittel in der Malerei”, in Reallexicon zur deutschen Kunstgeschichte, vol. Bd. VII, München: .
R. Fuchs and Oltrogge, D., “Farbenherstellung”, in Europäische Technik im Mittelalter, 800-1200.Hrsg. von Uta Lindgren, Berlin: , 1996, pp. 435-450.
Ret al. Fuchs, “Farbenherstellung”, in Europäische Technik im Mittelalter, 800-1200.Hrsg. von Uta Lindgren, Berlin: , 1996, pp. 435-450.
L. Roth, Kormann, K., and Schweppe, H., Färbepflanzen- Pflanzenfarben. Botanik-Färbemethoden-Analytik. Türkische Teppiche und ihre Motive. Landsberg/Lech: , 1992.
R. Hofmann, “Färbepflanzen und Färbedrogen.”, Restauratorenblätter, vol. 13, pp. 39-63, 1992.
H. Roosen-Runge, “Farbgebung und Technik frühmittelalterlicher Buchmalerei.Studien zu der Traktaten Mappae Clavicula und Heraclius”, Kunstwissenschaftliche Studien, vol. XXXVIII, 1967.
A. P. Torresi, A far littere de oro. Ferrara: , 1992.
G. Mardersteig and Boothroyd, R. H., Felice Feliciano, Veronese : Alphabetum Romanum. Verona: , 1960.
J. R. Clemens, “Fifteenth century English recipes for the making of pigments”, Art and Archaeology, vol. 34, pp. 206-210, 1933.
L. Campbell, The Fifteenth Century Netherlandish Schools. London: , 1998, pp. 18-35.
S. - C. Arteni, “From handcraft to mass production : notes on the manufacture of oil painting materials”, ICOM 7th triennal meeting, Copenhagen, 10-14 septembre, 1984. Submitted.