Bibliography

Found 32 results
Author Title Type [ Year(Desc)]
Filters: First Letter Of Title is P  [Clear All Filters]
0
R. J. Gettens and Stout, L., Painting Materials. A Short Encyclopaedia. New York: .
1892
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
1926
A. P. Laurie, The pigments and mediums of the old masters, with a special chapter on the microphotographic study of brushwork. London: , 1926.
1936
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
1937
A. P. Laurie, “Pigments, Mediums and Technical Methods of Classical and Mediaeval Painters”, Journal of Chemical Society, pp. 163-169, 1937.
1941
O. Johannsen, Peder Månssons Schriften über technische Chemie und Hüttenwesen. Eine Quelle zur Geschichte der Technik des Mittelalters. Berlin: , 1941.
1960
R. - R. H. and Werner, A. E. A., “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
F. Margival, “Pigments et peinture au Moyen Age”, Peinture, pigments, vernis, vol. 36, 1960.
1966
A. P. Laurie, The Painter’s Methods and Materials. New York: , 1966.
1972
L. Van Acker, “Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis”, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.
1982
B. S. Hall, “Production et diffusion de certains traités de techniques au Moyen Age”, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
1986
S. Bergeon, “Painting Technique: Priming, Coloured Paint Film and Varnish”, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
1988
S. Baroni, Petri de Sancto Audemaro, Liber de coloribus, traduzione e note. Como: , 1988.
1990
A. Massing, “Painting materials and techniques. Towards a bibliography of the french literature before 1800”, Feitschrift in honour of Professor Straub, 1990.
G. - J. Aillaud, “Pastel et Indigo ou les origines du bleu”, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
1991
P. Binski, Painters, Medieval Crafstmen. London: , 1991.
1996
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
1999
S. Bucklow, “Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
2000
S. Bucklow, “Paradigms and Pigment Recipes : Natural Ultramarine”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
, “Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt”, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
2001
S. Bucklow, “Paradigms and Pigment Recipes : Silver and Mercury Blues”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
R. Fuchs, “Pergament. Material - Geschichte - Restaurierun”, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
2002
G. Heydenreich, Painting Materials, Techniques and Workshop Practice of Lucas Cranach the Elder. London: , 2002.
2009
J. M. A. Caen, The production of stained glass in the country of Flanders and the duchy of Brabant from the XVth to the XVIIIth centuries: materials and techniques. Turnhout: Brepols publishers, 2009, p. 456.
Submitted
M. Clarke and Carlyle, L., “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.