Bibliography

Found 48 results
Author Title Type [ Year(Asc)]
Filters: First Letter Of Last Name is H  [Clear All Filters]
1979
C. Stanley Smith and Hawthorne, J. G., “On Divers Arts”, Transactions of the American Philosophical Society, 1979.
1975
J. Harvey, Mediaeval Craftsman. London: , 1975.
1974
C. Stanley Smith and Hawthorne, J. G., “Mappae Clavicula, a little Key to the World of Medieval Technique”, Transactions of the American Philosophical Society, vol. N.s.64, pt.4, 1974.
1970
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
1968
R. D. Harley, “The interpretation of colour names”, Burlington Magazine, vol. CX, pp. 460-461, 1968.
1963
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.
1960
R. - R. H. and Werner, A. E. A., “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
1958
G. Bazin, Hours, M., Petit, J., and Rudel, J., “Une palette du XIVe siècle découverte sur un panneau du Musée du Louvre”, Bulletin du Laboratoire du Musée du Louvre, vol. n°3, pp. 2-22, 1958.
1950
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
1935
W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.
1933
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
1932
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.
1906
M. Hardie, English coloured books. London: , 1906.
1899
G. Henslow, Medical Works of the Fourteenth Century. London: , 1899.
1892
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
1874
H. Hagen, “Anonymus Bernensis über die Bindemittel und das Coloriren von Initialen. Mit einer Notiz über die Quellenliteratur der Eitemperatechnik von Albert Ilg.”, in Quellenschriften für Kunstgeschichte, vol. VII, Wien: , 1874.
1855
J. O. Halliwell, Early English Miscellanies in Prose and Verse. London: , 1855.
1848
J. O. Halliwell, “Early English Artistical Receipts”, Journal of the British Archaeological Association, vol. III, pp. 107-111, 1848.
J. O. Halliwell, “Early English Artistical Receipts”, Journal of the British Archaeological Association, vol. III, pp. 107-111, 1848.
1847
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
1841
T. Wright and Halliwell, J. O., Reliquae Antiquae, vol. 2 vol. London: , 1841.