Bibliography

Found 54 results
Author Title Type [ Year(Desc)]
Filters: First Letter Of Last Name is P  [Clear All Filters]
1982
A. Bellony-Rewald and Peppiat, M., Imaginations’s Chamber. Artists and their Studios. Boston: , 1982.
1983
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.
1985
J. Plesters and Roy, A., “The materials and technique”, National Gallery Technical Bulletin, vol. X, 1985.
1986
R. L. Feller, Artist’s Pigments. A Handbook of their History and Characteristics. Cambridge: , 1986.
M. Pastoureau, “Les couleurs aussi ont une histoire”, L’histoire, vol. n°62, pp. 45-54, 1986.
1987
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
M. Pastoureau, “Vers une histoire de la couleur bleue”, Sublime indigo, Actes du Colloque de Marseille, 1987, Fribourg. pp. 19-27, 1987.
1988
M. Pastoureau, “Du bleu au noir. Étiques et pratiques de la couleur à la fin du Moyen Age”, Médiévales, vol. t. 14, pp. 9-22, 1988.
1991
G. Pomaro, Il recettari del Fondo della Biblioteca nazionale centrale di Firenze. Inventari e cataloghi toscani: 35. Milan: , 1991.
G. Pomaro, Il recettari del Fondo della Biblioteca nazionale centrale di Firenze. Inventari e cataloghi toscani: 35. Milan: , 1991.
P. Binski, Painters, Medieval Crafstmen. London: , 1991.
1992
F. Brunello, De Arte Illuminandi e altri trattati sulla tecnica della miniatura medievale (2e ed.). Vicenza: , 1992.
M. Pastoureau, Dictionnaire des couleurs de notre temps. Paris: , 1992.
J. J. G. Alexander, Medieval illuminators and their method of work. New Haven & London: , 1992.
C. De Hamel, Scribes and Illuminators, Mediaeval Craftsmen. London: , 1992.
1993
A. (ed.) Roy, Artist’s Pigments. A Handbook of their History and Characteristics, vol. 3 vol. New York-Oxford: , 1993.
1994
S. Pfaff, Der Codex Vadiana 404 von Wolfgang Seidel (1492-1562) - Erster Teil seines dreibändigen Kunstbuches?. Diss. Techische Universität München: , 1994.
W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.
1995
R. Scheller and Hoyle, M., Exemplum : ModelBook drawings and the practice of artistic transmission in the Middle Ages (ca 900- 1470). Amsterdam: , 1995.
A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
1996
E. Castelnuovo, Hermanes, T. - A., and Pastoureau, Met al. (Di, “Il colore nel medioeve, Arte, Simbolo, Tecnica, Atti delle Giornate di Studi”, Atti delle Giornate di Studi, Lucca, 5-6 maggio 1995. 1996.
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
2000
K. P. Withley, The History and Technique of Manuscript gilding. 2000.
M. Price, “A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting”, Leonardo, vol. 33, pp. 281-288, 2000.
2005
F. Perego, Dictionnaire des matériaux du peintre. Paris: , 2005.