History of technique in the arts, 1500-1950
Bibliography
Found 45 results
Author Title [ Type] Year Filters: First Letter Of Last Name is C [Clear All Filters]
“La littérature des recettes du XIIe au XVIe siècle d’après les manuscrits des bibliothèques publiques de Paris (mss. BnF lat. 7105, 7162, 12993 et fr. 2039)”, thèse inédite, Ecole nationale des Chartes, 1944.
, “La cuve de pastel au Moyen-Age d’après la documentation méditerranéenne”, Journée d’étude sur la teinture végétale: le bleu. Submitted.
, “A la découverte d'un métier médiéval. La teinture, l'impression et la peinture des tentures et des tissus d'ameublement dans l'Arte della Lana (Florence, Bibl. Riccardiana, Ms. 2580)”, Mélanges de l'Ecole Française de Rome, vol. 111, 1, pp. 323-356, 1999.
, “Vermilion and cinnabar”, Studies in Conservation, vol. vol. 17, pp. 45-69, 1972.
, “Sulle Ricette di Pittura del Trattato di Théodore Turquet de Mayerne”, La Diana, annuario della scuola di specializzazione in archeologia e storia dell´arte dell´universitá degli studi di Siena, vol. 1, pp. 147-180, 1995.
, “The Stockholm Papyrus X”, Journal of Chemical Education, vol. IV, 1927.
, “Sources bibliographiques pour l’étude des pigments utilisés en peinture jusqu’au XVe siècle”, Revue des Sociétés Savantes de Haute Normandie, vol. XX, 1960.
, “Methods and materials of Nothern European painting in the National Gallery, 1400-1550”, National Gallery. Technical Bulletin. Early Nothern European Painting, vol. XVIII, pp. 6-55, 1997.
, “The Leyden Papyrus X”, Journal of Chemical Education, vol. III, 1926.
, “Les échanges de teintures rouges entre l’Orient et l’Occident jusqu’aux grandes découvertes”, CIETA, vol. 67, pp. 27-34, 1989.
, “Lead White”, Studies in Conservation, vol. vol.12, pp. 125-139, 1967.
, “La technique des Primitifs flamands. Etude scientifique des matériaux, de la structure et de la technique picturale”, Studies in Conservation, vol. I, pp. 1-29, 1952.
, “La preuve par l’expérience dans les techniques médiévales de teinturerie”, Les procédures de preuve, de validation et d’évaluation dans les sciences et les techniques. Une approche historique. Actes du colloque de Lille, pp. 303-310, 1992.
, “L’alchimie et les recettes techniques”, Métaux et civilisations, vol. 1, pp. 5-10, 1945.
, “Identification of pigments in a fourteenth-century miniature by combined micro-raman and PIXE spectroscopic techniques”, Studies in Conservation, vol. 42, pp. 83-92, 1997.
, “Identification of pigments in a fourteenth-century miniature by combined micro-raman and PIXE spectroscopic techniques”, Studies in Conservation, vol. 42, pp. 83-92, 1997.
, “Fifteenth century English recipes for the making of pigments”, Art and Archaeology, vol. 34, pp. 206-210, 1933.
, “The Early Netherlandish Painters and their Workshop”, Le dessin sous-jacent dans la peinture, Colloque III, Louvain-la-Neuve, vol. 3, pp. 40-61, 1979.
, “The Analysis of medieval European manuscripts”, Reviews in Conservation, vol. 2, pp. 3-15, 2001.
, “Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques”. Paris, Submitted.
, “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
, “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
, “Il colore nel medioeve, Arte, Simbolo, Tecnica, Atti delle Giornate di Studi”, Atti delle Giornate di Studi, Lucca, 5-6 maggio 1995. 1996.
, “Asymptotically approaching the past: historiography and critical use of sources in art technological”, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
, “Art of the Past: Sources and Reconstructions”. Submitted.
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