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S. Baroni, Petri de Sancto Audemaro, Liber de coloribus, traduzione e note. Como: , 1988.
R. Fuchs, Pergament. Material - Geschichte - Restaurierun, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
P. N. Miller, Pereisc in the Parisian "Jewel House", in Spanish Habsburg World (16th-18th Centuries), Submitted.
O. Johannsen, Peder Månssons Schriften über technische Chemie und Hüttenwesen. Eine Quelle zur Geschichte der Technik des Mittelalters. Berlin: , 1941.
G. - J. Aillaud, Pastel et Indigo ou les origines du bleu, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
D. Oltrogge, Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
S. Bucklow, Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
S. Bucklow, Paradigms and Pigment Recipes : Silver and Mercury Blues, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
S. Bucklow, Paradigms and Pigment Recipes : Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
B. Guineau, Villela-Petit, I., and Vezin, J., Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
S. Bergeon, Painting Technique: Priming, Coloured Paint Film and Varnish, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
G. Heydenreich, Painting Materials, Techniques and Workshop Practice of Lucas Cranach the Elder. London: , 2002.
R. J. Gettens and Stout, L., Painting Materials. A Short Encyclopaedia. New York: .
A. Massing, Painting materials and techniques. Towards a bibliography of the french literature before 1800, Feitschrift in honour of Professor Straub, 1990.
A. P. Laurie, The Painter’s Methods and Materials. New York: , 1966.
P. Binski, Painters, Medieval Crafstmen. London: , 1991.
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
M. Clarke and Carlyle, L., Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.