Bibliography

Found 602 results
Author Title Type [ Year(Desc)]
1985
, “Il ms 25 della Newberry Library: la tradizione dei ricettari e trattati sui colori nel Medioevo e Rinascimento veneto e toscano”, La Bibliofilia, vol. LXXXVII(1), pp. 1-38, 1985.
, “Il ms 25 della Newberry Library: la tradizione dei ricettari e trattati sui colori nel Medioevo e Rinascimento veneto e toscano”, La Bibliofilia, vol. LXXXVII(1), pp. 1-38, 1985.
J. Plesters and Roy, A., “The materials and technique”, National Gallery Technical Bulletin, vol. X, 1985.
J. Bolten, Method and Practice. Dutch and Flemish Drawing Books 1600-1750. Landau: , 1985.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. II. Silver Blue”, Studies in Conservation, vol. 30, pp. 155-160, 1985.
1986
R. L. Feller, Artist’s Pigments. A Handbook of their History and Characteristics. Cambridge: , 1986.
R. White, “Brown and Black organic Glazes, Pigments and Paints”, National Gallery Technical Bulletin, vol. 10, pp. 58-61, 1986.
H. Hilg, Die lateinischen mittelalterlichen Handschriften. Teil 2: Hs 22922 - 198390 (Handschriften des Germanischen Nationalmuseums Nürnberg). Wiesbaden: , 1986.
M. Brusatin, Histoire des couleurs, traduction de L. Marin. Paris: , 1986.
M. Pastoureau, “Les couleurs aussi ont une histoire”, L’histoire, vol. n°62, pp. 45-54, 1986.
A. Blaise, Lexicon latinitatis Medii Aevi. Dictionnaire latin-français des auteurs du Moyen Age. Turnhout: , 1986.
W. L. Braekman, “Middelnederlandse Verfrecepten voor miniaturen en « alderhande substancien »”, Mediaeval and Renaissance Texts and Studies, vol. n°18, 1986.
S. Bergeon, “Painting Technique: Priming, Coloured Paint Film and Varnish”, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
V. Trost, Scriptorium: book production in the Middle Ages. Heidelberg: , 1986.
R. Laufner, “über die spätmittelalterliche Farbenherstellung zur Illuminierung von Hss. nach dem Trierer Farbenbüchlein”, in Corona amicorum.A.Thomas zur Vollendung des 90. Lebensjahres, Trier: , 1986, pp. 183-192.
A. Wallert, “Verzino and Roseta Colours in 15th Century Italian Manuscripts”, Maltechnik restauro, vol. 92.3, pp. 141-155, 1986.
1987
R. Halleaux and Meyvaert, P., “Les origines de la Mappae Clavicula”, Archives doctrinale et littéraire du Moyen-Age, vol. 54, 1987.
R. Fuchs, “Nolite manuscripta cruciare sed conservate potis”, Maltechnik Restauro, vol. 12, 1987.
G. Bonfiglio Dosio, Ragioni antique spettanti all´arte del mare et fabriche de vasselli, manoscritto nautico del sec. XV. Venezia: Il comitato editore, 1987, p. 263.
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
E. Brepohl, Theophilus Presbyter und die Mittelalterliche Goldschmiedekunst. Vienna: , 1987.
M. Pastoureau, “Vers une histoire de la couleur bleue”, Sublime indigo, Actes du Colloque de Marseille, 1987, Fribourg. pp. 19-27, 1987.
1988
K. Schneider, Deutsche mittelalterliche Handschriften der Universitätsbibliothek Augsburg: Die Signaturengruppen Cod. I.3. und Cod. III.1. Wiesbaden: , 1988.
M. Pastoureau, “Du bleu au noir. Étiques et pratiques de la couleur à la fin du Moyen Age”, Médiévales, vol. t. 14, pp. 9-22, 1988.
C. J. Benzinger, Illuminierbuch durch Valentinum Boltz von Ruffach. Nach der 1° Aufl.Basel 1549. München: , 1988.