Bibliography

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A. Burmester and Krekel, C., Azzuri oltramarini, lacche et altri colori fini: Auf der Suche nach der verlorenen Farbe, in Tintoretto - Der Gonzage- Zyklus. Hrsg. von Cornelia Syre, München: , 2000, pp. 193-211.
J. R. Gettens and Fitzhugh, E. W., Azurite and blue verditer, Studies in Conservation, vol. vol. 11, pp. 54-61, 1966.
C. Rötter, Auripigment. Genauere Betrachtung eines historischen Farbmittels, Restauro, vol. 109.6, pp. 408-413, 2003.
A. C. Crombie, Augustine to galileo. T. 2, Science in the later middle ages and early modern times 13th to 17 th centuries. 1969.
, Atramentum, RE, vol. II, 2, pp. col. 2135-2136, 1896.
M. Clarke, Asymptotically approaching the past: historiography and critical use of sources in art technological, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, Art Technology. Sources and Methods. Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), Art of the Past: Sources and Reconstructions. Submitted.
C. E. Power, The Art of Limming. 1932.
F. Brunello, The Art of Dyeing in the history of manking. Venice: , 1973.
F. Brunello, The Art of Dyeing in the History of Mankind. Venice: , 1973.
M. Clarke, The Art of all Colours. Medieval Recipe Books for Painters and Illuminators. London: , 2001.
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
, Artists Pigments : a Handbook of their History and Characteristics, vol. 3. Washington: , 1997.
R. L. Feller, Artist’s Pigments. A Handbook of their History and Characteristics. Cambridge: , 1986.
A. (ed.) Roy, Artist’s Pigments. A Handbook of their History and Characteristics, vol. 3 vol. New York-Oxford: , 1993.
R. Mayer, The artist’s handbook of materials and techniques. New-York: , 1970.
R. D. Harley, Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
X. (Dir.) Barral y Altet, Artistes, artisans et production artistique au Moyen-Age., Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
J. Ayres, The artist crafts. A History of tools, techniques and materials. Oxford: , 1985.
R. H. Runge, Artikel Farbe, Farbmittel der abandländischen ma. Buchmalerei, in Reallexikon zur deutschen Kunst, vol. 6, 1973.
D. V. Thompson, Artificial Vermilion in the Middle Ages, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
, Arsenicum, RE, vol. II, 1, pp. col. 1271-1272, 1895.
M. Kowalczyk, Ars de omnibus coloribus, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
G. Wöhrle, Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.