Bibliography

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C. Moretti and Toninato, T., Ricette vetrarie del Rinascimento, Trascrizione da un manoscritto anonimo veneziano. Venezia: , 2001, p. 125.
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
J. Stannard, “Rezeptliteratur as Fachliteratur”, in Eamon, E., Studies on Medieval Fachliteratur.Scripta: Mediaeval and Renaissance Texts and Studies, vol. 6, Bruxelles: , 1981, pp. 59-73.
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
R. Jansen-Sieben, Repertorium van de middelnederlandse artes-literatuur. Utrecht: , 1989.
R. Jansen-Sieben, Repertorium van de middelnederlandse artes-literatuur. Utrecht: , 1989.
M. Price, “A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting”, Leonardo, vol. 33, pp. 281-288, 2000.
T. Wright and Halliwell, J. O., Reliquae Antiquae, vol. 2 vol. London: , 1841.
G. Beaujouan, “Réflexions sur les rapports entre théorie et pratique au Moyen Age”, MURDOCH, J. et SYLLA, E. (éd.), The Cultural Context of Medieval Learning, Boston. pp. 437-484, Submitted.
J. Burnam, “Recipes from codex Matritensis A 16 (ahora 19)”, University of Cincinnati Studies, vol. vol. 8, 1912.
D. Oltrogge, “Recipes Books and Accounts. Some notes on the trade of manuscript materials in the Lower Rhineland and Westfalia around 1500”, in European Trade in Painter’s Materials. Hrsg von Jo Kirby, London: , 2005.
N. Turner, “The Recipe Collection of Johannes Alcherius and the Painting Materials used in Manuscript Illumination in France and Nothern Italy ca 1380-1420”, Painting Techniques : History, Materials and Studio Techniques, Proceeding of the IIC Dublin Congress, 7-11 December. Submitted.
E. Baes, Recherches sur les couleurs employées par les peintres depuis l’Antiquité jusqu’à nos jours. Bruxelles: , 1883.
C. Brunel, , Recettes médicales, alchimiques et astrologiques du Xve,. 1956.
R. H. Runge, “Recettes de couleurs et de peinture dans les manuscrits technologiques du Haut Moyen Age”, in L’alchimie. Histoire, technologie, pratique, Paris: , 1972, pp. 47-61.
R. Halleaux, “Recettes d’artisan, recettes d’alchimistes”, Artes Mechanicae, vol. 34. Bruxelles, pp. 25-49, Submitted.
P. Lefevre, “Recette pour la fabrication de l’encre au XVe siècle”, Archives et Bibliothèques de Belgique, vol. 3, 1926.
W. L. Braekman, “Recepten en pokkentraktaat uit een Middelnederlands handschrift”, Volkskunde, vol. 28, n°1-8, pp. 177-198, 1977.
S. Kroustallis, “Reading the past: methodological considerations for future research in art technology”, Art Technology. Sources and Methods. London, pp. 23-27, Submitted.
G. Keil, “Randnotizen zum "Stockholmer Arzneibuch".”, Studia Neophilologica (Journal of Germanic and Romance Philology), vol. 44, 2, pp. 239-262, 1972.
G. Bonfiglio Dosio, Ragioni antique spettanti all´arte del mare et fabriche de vasselli, manoscritto nautico del sec. XV. Venezia: Il comitato editore, 1987, p. 263.