Found 602 results
Author [ Title(Desc)] Type Year
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A. Wallert, Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6., Technologiae artis, vol. 3, pp. 134-146, 1993.
W. Eamon, Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century, History of science, vol. no. 56; 22, pp. 111-150.
M. Berthelot, Archéologie et histoire des sciences avec publication nouvelle du papyrus grec chimique de Leyde et impression originale du Liber de Septuaginta de Geber. Paris: , 1906.
G. Wöhrle, Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.
M. Kowalczyk, Ars de omnibus coloribus, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
, Arsenicum, RE, vol. II, 1, pp. col. 1271-1272, 1895.
D. V. Thompson, Artificial Vermilion in the Middle Ages, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
R. H. Runge, Artikel Farbe, Farbmittel der abandländischen ma. Buchmalerei, in Reallexikon zur deutschen Kunst, vol. 6, 1973.
J. Ayres, The artist crafts. A History of tools, techniques and materials. Oxford: , 1985.
X. (Dir.) Barral y Altet, Artistes, artisans et production artistique au Moyen-Age., Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
R. D. Harley, Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
R. Mayer, The artist’s handbook of materials and techniques. New-York: , 1970.
R. L. Feller, Artist’s Pigments. A Handbook of their History and Characteristics. Cambridge: , 1986.
A. (ed.) Roy, Artist’s Pigments. A Handbook of their History and Characteristics, vol. 3 vol. New York-Oxford: , 1993.
, Artists Pigments : a Handbook of their History and Characteristics, vol. 3. Washington: , 1997.
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
M. Clarke, The Art of all Colours. Medieval Recipe Books for Painters and Illuminators. London: , 2001.
F. Brunello, The Art of Dyeing in the History of Mankind. Venice: , 1973.
F. Brunello, The Art of Dyeing in the history of manking. Venice: , 1973.
C. E. Power, The Art of Limming. 1932.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), Art of the Past: Sources and Reconstructions. Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, Art Technology. Sources and Methods. Submitted.
M. Clarke, Asymptotically approaching the past: historiography and critical use of sources in art technological, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
, Atramentum, RE, vol. II, 2, pp. col. 2135-2136, 1896.