Bibliography

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J. M. A. Caen, The production of stained glass in the country of Flanders and the duchy of Brabant from the XVth to the XVIIIth centuries: materials and techniques. Turnhout: Brepols publishers, 2009, p. 456.
B. S. Hall, Production et diffusion de certains traités de techniques au Moyen Age, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
J. Nadolny, A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
M. Pastoureau, Pour une histoire des teinturiers médiévaux, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
M. Pastoureau, Pour une histoire des couleurs, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
A. P. Laurie, Pigments, Mediums and Technical Methods of Classical and Mediaeval Painters, Journal of Chemical Society, pp. 163-169, 1937.
F. Margival, Pigments et peinture au Moyen Age, Peinture, pigments, vernis, vol. 36, 1960.
B. (éd.) Guineau, Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques. Paris, Submitted.
R. Halleaux, Pigments et colorants dans la « Mappae Clavicula », Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
A. P. Laurie, The pigments and mediums of the old masters, with a special chapter on the microphotographic study of brushwork. London: , 1926.
R. - R. H. and Werner, A. E. A., The pigments and medium of the Lindisfarne Gospels, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
, Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
L. Van Acker, Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.
S. Baroni, Petri de Sancto Audemaro, Liber de coloribus, traduzione e note. Como: , 1988.
R. Fuchs, Pergament. Material - Geschichte - Restaurierun, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
P. N. Miller, Pereisc in the Parisian "Jewel House", in Spanish Habsburg World (16th-18th Centuries), Submitted.
O. Johannsen, Peder Månssons Schriften über technische Chemie und Hüttenwesen. Eine Quelle zur Geschichte der Technik des Mittelalters. Berlin: , 1941.
G. - J. Aillaud, Pastel et Indigo ou les origines du bleu, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
D. Oltrogge, Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
S. Bucklow, Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
S. Bucklow, Paradigms and Pigment Recipes : Silver and Mercury Blues, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
S. Bucklow, Paradigms and Pigment Recipes : Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
B. Guineau, Villela-Petit, I., and Vezin, J., Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
S. Bergeon, Painting Technique: Priming, Coloured Paint Film and Varnish, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.