Bibliography

Found 48 results
Author [ Title(Desc)] Type Year
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G
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
H
R. Hanna, “A handlist of manuscripts containing Middle English prose in the Henry E. Huntingdon Library”, in The Index of Middle English Prose, Handlist, vol. 1, 1984.
I
E. Castelnuovo, Hermanes, T. - A., and Pastoureau, Met al. (Di, “Il colore nel medioeve, Arte, Simbolo, Tecnica, Atti delle Giornate di Studi”, Atti delle Giornate di Studi, Lucca, 5-6 maggio 1995. 1996.
R. D. Harley, “The interpretation of colour names”, Burlington Magazine, vol. CX, pp. 460-461, 1968.
K
C. Krekel, Burmester, A., and Haller, U., “Kurzmitteilungen aus dem Münchner Taxenprojekt: Vitriol”, Restauro, vol. 111, 6, 2005.
L
R. Halleaux and Meyvaert, P., “Les origines de la Mappae Clavicula”, Archives doctrinale et littéraire du Moyen-Age, vol. 54, 1987.
J. Hamesse, “Les problèmes posés par l’édition critique des textes anciens et médiévaux”, Publications de l’Institut d’études médiévales. Textes, études, congrè, vol. 13. Louvain-la-Neuve, Submitted.
R. Halleux, “Les techniques du verre dans les anciens manuscripts de recettes”, Techniques et sciences. Les Arts du verre, Actes du colloque de Namur, 20-21 octobre 1989. Submitted.
A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
M
C. Stanley Smith and Hawthorne, J. G., “Mappae Clavicula, a little Key to the World of Medieval Technique”, Transactions of the American Philosophical Society, vol. N.s.64, pt.4, 1974.
J. Harvey, Mediaeval Craftsman. London: , 1975.
G. Henslow, Medical Works of the Fourteenth Century. London: , 1899.
P
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
G. Heydenreich, Painting Materials, Techniques and Workshop Practice of Lucas Cranach the Elder. London: , 2002.
R. - R. H. and Werner, A. E. A., “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
R. Halleaux, “Pigments et colorants dans la « Mappae Clavicula »”, Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
B. S. Hall, “Production et diffusion de certains traités de techniques au Moyen Age”, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
R
R. Halleaux, “Recettes d’artisan, recettes d’alchimistes”, Artes Mechanicae, vol. 34. Bruxelles, pp. 25-49, Submitted.
T. Wright and Halliwell, J. O., Reliquae Antiquae, vol. 2 vol. London: , 1841.
S
W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.
U
G. Bazin, Hours, M., Petit, J., and Rudel, J., “Une palette du XIVe siècle découverte sur un panneau du Musée du Louvre”, Bulletin du Laboratoire du Musée du Louvre, vol. n°3, pp. 2-22, 1958.
Z
G. Höhle, “Zur ober- und mittelrheinischen Buchmalerei um die Mitte des 15. Jhs. - ausgehend von zwei Maltraktaten.”, Berlin (Dissertation FU), 1984.