Bibliography

Found 54 results
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H
K. P. Withley, The History and Technique of Manuscript gilding. 2000.
I
E. Castelnuovo, Hermanes, T. - A., and Pastoureau, Met al. (Di, “Il colore nel medioeve, Arte, Simbolo, Tecnica, Atti delle Giornate di Studi”, Atti delle Giornate di Studi, Lucca, 5-6 maggio 1995. 1996.
G. Pomaro, Il recettari del Fondo della Biblioteca nazionale centrale di Firenze. Inventari e cataloghi toscani: 35. Milan: , 1991.
G. Pomaro, Il recettari del Fondo della Biblioteca nazionale centrale di Firenze. Inventari e cataloghi toscani: 35. Milan: , 1991.
A. Bellony-Rewald and Peppiat, M., Imaginations’s Chamber. Artists and their Studios. Boston: , 1982.
L
P. Junod and Pastoureau, M., “La couleur : regards croisés sur la couleur du Moyen Age au XXe siècle”, Actes du Colloque organisé à l’Université de Lausanne, 25-27 juin 1992. Paris, Submitted.
S. C. B. C. Davison, “Landmarks in the history of weighing and measuring”, The Newcomen Society for the study of the history of engineering and Technology, Transactions, vol. vol. 21, pp. 131-152.
F. Brunello, L’Arte della Tintura nella storia dell’umanità. Venice: , 1968.
F. Brunello, L’Arte della Tintura nella storia dell’umanità. Venice: , 1968.
E. E. Ploss, “Lasur”, Zeitschrift für deutsche Philologie, vol. 74, 1955, pp. 286-295, 1955.
M. Pastoureau, “Les couleurs aussi ont une histoire”, L’histoire, vol. n°62, pp. 45-54, 1986.
A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
M
T. Philipps, “Mappae Clavicula; a Treatise on the Preparation of Pigments During the Middle Ages.”, Archaeologia, vol. 32, pp. 183-244, 1847.
J. Plesters and Roy, A., “The materials and technique”, National Gallery Technical Bulletin, vol. X, 1985.
J. J. G. Alexander, Medieval illuminators and their method of work. New Haven & London: , 1992.
P
P. Binski, Painters, Medieval Crafstmen. London: , 1991.
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
M. Pastoureau, “Pour une histoire des teinturiers médiévaux”, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
R
M. Price, “A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting”, Leonardo, vol. 33, pp. 281-288, 2000.
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
S
W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.
C. De Hamel, Scribes and Illuminators, Mediaeval Craftsmen. London: , 1992.
E. Ploss, Studien zu den deutschen Maler- und Färberbüchern des Mittelalters. München: , 1952.
E. E. Ploss, “Studien zu den deutschen Maler- und Färberbüchern des Mittelalters.”, Dissertation München, Submitted.