Bibliography

Found 48 results
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Z
G. Höhle, “Zur ober- und mittelrheinischen Buchmalerei um die Mitte des 15. Jhs. - ausgehend von zwei Maltraktaten.”, Berlin (Dissertation FU), 1984.
U
G. Bazin, Hours, M., Petit, J., and Rudel, J., “Une palette du XIVe siècle découverte sur un panneau du Musée du Louvre”, Bulletin du Laboratoire du Musée du Louvre, vol. n°3, pp. 2-22, 1958.
S
W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.
R
T. Wright and Halliwell, J. O., Reliquae Antiquae, vol. 2 vol. London: , 1841.
R. Halleaux, “Recettes d’artisan, recettes d’alchimistes”, Artes Mechanicae, vol. 34. Bruxelles, pp. 25-49, Submitted.
P
B. S. Hall, “Production et diffusion de certains traités de techniques au Moyen Age”, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
R. Halleaux, “Pigments et colorants dans la « Mappae Clavicula »”, Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
R. - R. H. and Werner, A. E. A., “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
G. Heydenreich, Painting Materials, Techniques and Workshop Practice of Lucas Cranach the Elder. London: , 2002.
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
M
G. Henslow, Medical Works of the Fourteenth Century. London: , 1899.
J. Harvey, Mediaeval Craftsman. London: , 1975.
C. Stanley Smith and Hawthorne, J. G., “Mappae Clavicula, a little Key to the World of Medieval Technique”, Transactions of the American Philosophical Society, vol. N.s.64, pt.4, 1974.
L
A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
R. Halleux, “Les techniques du verre dans les anciens manuscripts de recettes”, Techniques et sciences. Les Arts du verre, Actes du colloque de Namur, 20-21 octobre 1989. Submitted.
J. Hamesse, “Les problèmes posés par l’édition critique des textes anciens et médiévaux”, Publications de l’Institut d’études médiévales. Textes, études, congrè, vol. 13. Louvain-la-Neuve, Submitted.
R. Halleaux and Meyvaert, P., “Les origines de la Mappae Clavicula”, Archives doctrinale et littéraire du Moyen-Age, vol. 54, 1987.
K
C. Krekel, Burmester, A., and Haller, U., “Kurzmitteilungen aus dem Münchner Taxenprojekt: Vitriol”, Restauro, vol. 111, 6, 2005.
I
R. D. Harley, “The interpretation of colour names”, Burlington Magazine, vol. CX, pp. 460-461, 1968.
E. Castelnuovo, Hermanes, T. - A., and Pastoureau, Met al. (Di, “Il colore nel medioeve, Arte, Simbolo, Tecnica, Atti delle Giornate di Studi”, Atti delle Giornate di Studi, Lucca, 5-6 maggio 1995. 1996.
H
R. Hanna, “A handlist of manuscripts containing Middle English prose in the Henry E. Huntingdon Library”, in The Index of Middle English Prose, Handlist, vol. 1, 1984.
G
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
F
R. Hofmann, “Färbepflanzen und Färbedrogen.”, Restauratorenblätter, vol. 13, pp. 39-63, 1992.
E
R. Scheller and Hoyle, M., Exemplum : ModelBook drawings and the practice of artistic transmission in the Middle Ages (ca 900- 1470). Amsterdam: , 1995.