Bibliography

Found 54 results
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E. Ploss, “Zur Geschichte des Wortes Salmiaks”, Die BASF, vol. 6, pp. 4-7, 1956.
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E. E. Ploss, “Wolfgang Seidel aus Tegernsee und sein Kunstbuch.”, in Et multum et multa. Festgabe f. Kurt Lindner z. 27. Nov. 1971, Berlin, New York: , 1971, pp. 289-96.
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M. Pastoureau, “Vers une histoire de la couleur bleue”, Sublime indigo, Actes du Colloque de Marseille, 1987, Fribourg. pp. 19-27, 1987.
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G. Bazin, Hours, M., Petit, J., and Rudel, J., “Une palette du XIVe siècle découverte sur un panneau du Musée du Louvre”, Bulletin du Laboratoire du Musée du Louvre, vol. n°3, pp. 2-22, 1958.
S
E. E. Ploss, “Studien zu den deutschen Maler- und Färberbüchern des Mittelalters.”, Dissertation München, Submitted.
E. Ploss, Studien zu den deutschen Maler- und Färberbüchern des Mittelalters. München: , 1952.
C. De Hamel, Scribes and Illuminators, Mediaeval Craftsmen. London: , 1992.
W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.
R
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
M. Price, “A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting”, Leonardo, vol. 33, pp. 281-288, 2000.
P
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
M. Pastoureau, “Pour une histoire des teinturiers médiévaux”, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
P. Binski, Painters, Medieval Crafstmen. London: , 1991.
M
J. J. G. Alexander, Medieval illuminators and their method of work. New Haven & London: , 1992.
J. Plesters and Roy, A., “The materials and technique”, National Gallery Technical Bulletin, vol. X, 1985.
T. Philipps, “Mappae Clavicula; a Treatise on the Preparation of Pigments During the Middle Ages.”, Archaeologia, vol. 32, pp. 183-244, 1847.
L
A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
M. Pastoureau, “Les couleurs aussi ont une histoire”, L’histoire, vol. n°62, pp. 45-54, 1986.
E. E. Ploss, “Lasur”, Zeitschrift für deutsche Philologie, vol. 74, 1955, pp. 286-295, 1955.
F. Brunello, L’Arte della Tintura nella storia dell’umanità. Venice: , 1968.
F. Brunello, L’Arte della Tintura nella storia dell’umanità. Venice: , 1968.
S. C. B. C. Davison, “Landmarks in the history of weighing and measuring”, The Newcomen Society for the study of the history of engineering and Technology, Transactions, vol. vol. 21, pp. 131-152.
P. Junod and Pastoureau, M., “La couleur : regards croisés sur la couleur du Moyen Age au XXe siècle”, Actes du Colloque organisé à l’Université de Lausanne, 25-27 juin 1992. Paris, Submitted.
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A. Bellony-Rewald and Peppiat, M., Imaginations’s Chamber. Artists and their Studios. Boston: , 1982.